The British Brass Band, under the baton of Bandmaster Philip Smith, has become an Athens fan favorite. The repertoire encompasses a wide variety of styles including excellent original works, marvelous transcriptions of orchestral works, as well as marches and other light pieces. British Brass Band concerts are free. No tickets are required.

This performance will highlight composition students’ development while juxtaposing their work opposite compositions that have inspired growth and change in modern music. In addition to world premieres by UGA student composers, CCE will perform the Grammy-winning work “Meanwhile: incidental music to imaginary puppet plays,” by Stephen Hartke, and Mary Kouyoumdjian’s haunting electroacoustic piece, “The Vanishing Dark.”

The British Brass Band, under the baton of Bandmaster Philip Smith, has become an Athens fan favorite. The repertoire encompasses a wide variety of styles including excellent original works, marvelous transcriptions of orchestral works, as well as marches and other light pieces. British Brass Band concerts are free. No tickets are required.

Jazz Ensemble I is the Hugh Hodgson School of Music’s advanced level big band, and as such is made up of advanced students. The group is comprised of traditional big band instrumentation: saxophones, trombones, trumpets, and a rhythm section featuring drums, piano, guitar, and bass.  The band performs music of a variety of styles, including swing, be-bop, latin, and contemporary jazz. Performances take place both on campus and at off-campus events by invitation. Jazz Ensemble I is conducted by David D’Angelo.

Jazz Ensemble II introduces students to the experience of performing in a traditional big band. By participating in Jazz Ensemble II, students study the evolution of  big band music, familiarize themselves with stylistic comparisons, and refine their improvisational skills. Like Jazz Ensemble I, this ensemble is made up of traditional big band instrumentation, and plays music of various styles both on campus and in the community. Jazz Ensemble II is co-conducted by Greg Satterthwaite and James Weidman.

Jazz Ensemble I is the Hugh Hodgson School of Music’s advanced level big band, and as such is made up of advanced students. The group is comprised of traditional big band instrumentation: saxophones, trombones, trumpets, and a rhythm section featuring drums, piano, guitar, and bass.  The band performs music of a variety of styles, including swing, be-bop, latin, and contemporary jazz. Performances take place both on campus and at off-campus events by invitation. Jazz Ensemble I is conducted by David D’Angelo.

Jazz Ensemble II introduces students to the experience of performing in a traditional big band. By participating in Jazz Ensemble II, students study the evolution of  big band music, familiarize themselves with stylistic comparisons, and refine their improvisational skills. Like Jazz Ensemble I, this ensemble is made up of traditional big band instrumentation, and plays music of various styles both on campus and in the community. Jazz Ensemble II is co-conducted by Greg Satterthwaite and James Weidman.

Under the direction of Vicki Lu, several distinguished guest artists join this ensemble which features instruments such as the erhu, guzheng, pipa, hulusi and the yangqin.

Directed by Assistant Professor Jared Holton this ensemble, which features music, rhythm, and dance from the Middle East and instruments such as the Arabic lute, reed flute, riqq, daff, and tabla. These concerts often include a special guest artist with expertise in Middle Eastern Music, such as Ali Jihad Racy (pictured),Distinguished Professor of Ethnomusicology from UCLA. More details on the next concert will be available in January.

Under the direction of Vicki Lu, several distinguished guest artists join this ensemble which features instruments such as the erhu, guzheng, pipa, hulusi and the yangqin.

Praised for possessing “admirable purity of tone and accuracy” (James Oestreich, The New York Times) and hailed as a “miracle” (Harris Goldsmith, New York Concert Review), James Kim has performed concerti with orchestras such as the Boston Symphony and Royal Philharmonic, working with conductors David Zinman, Michael Sanderling, Alexander Shelley, Keith Lockhart, Tan Dun, and others, making appearances at Stern Auditorium, Zankel Hall, and Metropolitan Museum of Art in New York and at Symphony Hall and Jordan Hall in Boston.