"Woven" - Music Inspired by Art

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Georgia Museum of Art
Free Events

This collaborative project brings together the music composition studio and the trumpet studio at the University of Georgia Hugh Hodgson School of Music in an exploration of melodic weaving, drawing inspiration from the new sculptural installation by artist Rachel B. Hayes on view at the Georgia Museum of Art. Just as Hayes layers fabric and color to create immersive environments, the student composers approach melody as a pliable material — stretching, overlapping and intertwining lines to form intricate sonic tapestries. Undergraduate composers Nathan Bine, Sydney Brockway, Ryan Hanling, Lyra Hodge, Timothy Jackson, Andrew Latimer, Marcus Lewis and Benji Nguyen, alongside doctoral composer Richie Arndorfer, contribute new works that highlight the trumpet’s lyrical and textural possibilities in collaboration with Dr. Emily Koh, associate professor of music composition, and Dr. Brandon Craswell, professor of trumpet.

“Woven” emphasizes dialogue: between lines, instruments and artistic disciplines. By translating Hayes’ visual language into sound, the project invites audiences to experience melody as both linear and spatial, simultaneously intimate and expansive. Ultimately, this collaboration provides young composers with practical experience writing for brass instruments while fostering creative connections across the music department.

Faculty Recital: John Coble, organ

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First Presbyterian Church of Athens, 185 E Hancock Ave, Athens, GA 30601
Free Events
General Events

Organist John Coble will perform a recital of in memory of Dr. Raymond Martin. The program will include music by J.S. Bach, Dan Locklair, Felix Mendelssohn, and Louis Vierne. Coble is Director of Music and Organist at First Presbyterian Church in Athens, and is Instructor of Organ at the University of Georgia Hugh Hodgson School of Music. The recital is presented as part of the Wayne F. Middendorf Memorial Concert Series and is free and open to the public. 

On the Beat: Director of Bands Nicholas Enrico Williams

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Director of Bands Nicholas Enrico Williams, plus text and graphics

Photo by Andrew Davis Tucker

Reflecting on his fourth year as a professor and director of bands for the Franklin College of Arts and Sciences Hugh Hodgson School of Music, Nicholas Enrico Williams realized that one of his dreams has been fulfilled.  “I remember the first time I heard a recording of the UGA Wind Symphony in 1997,” he said. “It was at that time when I thought to myself ‘I want to be a faculty member at a school that has such high, and also creative, musical standards.’”  

Peter Kandra conducts Mozart opera in Slovenian summer program

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Peter Kandra with Maestro George Pehlivanian, plus text and photos

Last summer, before his final year at UGA, Peter Kanda (B. Mus. Piano Performance, German Studies Minor ‘26) had the incredible opportunity to participate in the Pehlivanian Professional Opera Academy in Slovenia. Founded under the direction of Maestro George Pehlivanian, a Lebanese conductor living between Los Angeles, Paris, and Ljubljana, the academy is an important pillar of the international opera scene. The academy offers comprehensive training for conductors and vocalists from all over the world, with a focus on refining their skills.

Public Lecture: “Anarchive in the UK: Tape Collections as Diasporic Recollection” Featuring Ethnomusicologist David Novak

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Edge Concert Hall Hugh Hodgson School of Music
Free Events
Guest Artists
ABSTRACT:

This paper considers three London-based audiocassette tape collections – the Tape Letters Project, the Palestinian Sound Archive, and the Syrian Cassette Archive - as “anarchival” sources for migratory communities relocated to the United Kingdom from South Asia and the Middle East. Each of these emergent archives turns up new uses for obsolete media forms, both in recollecting history and in generating new forms of sonic art and communication. Rather than focusing on the changes that recording technology wrought on local traditions and stylistic forms, I am specifically concerned with the material interventions that generations of listeners bring to the juxtaposed framework of diasporic memory embodied in cassette archives. How does the digital migration and online recollection of analog sound media both provoke and radically alter the construction of musical histories? The media archaeological concept of “anarchive” proposes an anti-canonical use of material memory as “a selective reactivation of past patterns of action” (The Future of Indeterminacy Project 2025, also Zielinski 2015, Zaayman 2023). The cultural politics of these archival projects are complicated. They refuse inscription into a state-driven politics of recognition and digital access, but also recognize the often-scrambled nature of diasporic recollection. But if these cassette anarchives refuse centralization while demanding particular and personal levels of knowledge, this is not a bug but a feature. Who better to unpack the burden of memory housed in cassettes than those who have taken the time to collect them? 

 

ABOUT DAVID NOVAK:

David Novak is Associate Professor of Music at the University of California, Santa Barbara and Director of the Center for the Interdisciplinary Study of Music. He is the author of the award-winning book Japanoise: Music at the Edge of Circulation (Duke 2013) and co-editor of Keywords in Sound (Duke 2015). His current book project, Diggers: A Global Counterhistory of Popular Music, theorizes musical globalization through contemporary histories of digital and analog sound media, particularly among networks of record and cassette collectors, informal sound archives, reissue labels and sound recording digitization projects in Southeast Asia.