This event is in collaboration with the UGA Bassoon and Saxophone studios.

Daniel Ellis receiving the Hendrix Odyssey Award on September 26, 2024. Photos by Nelson Chenault.

Hendrix College presented five alumni with the Odyssey Medal at a private ceremony and luncheon on Thursday, September 26, 2024, including Daniel Ellis, Franklin College of Arts and Sciences academic professional in opera and musical theatre for the Hugh Hodgson School of Music and the UGA department of theatre and film studie. He and the other recipients were honored with a reception that evening in the Great Hall of the Clinton Presidential Center.

Willson Center for Humanities and Arts
1260 S Lumpkin St, Athens, GA 30602

This conversation between Rumya Putcha, associate professor of music and women's studies and author of The Dancer’s Voice: Performance and Womanhood in Transnational India, and Jared Holton, assistant professor of music, is hosted by the Willson Center for Humanities and Arts as part of UGA's 2024 Spotlight on the Arts festival. It is presented in partnership with the Hugh Hodgson School of Music, the Center for Asian Studies, the Institute for Women's Studies, and the Department of Dance.

In The Dancer’s Voice Rumya Sree Putcha theorizes how the Indian classical dancer performs the complex dynamics of transnational Indian womanhood. Putcha argues that the public persona of the Indian dancer has come to represent India in the global imagination—a representation that supports caste hierarchies and Hindu ethnonationalism, as well as white supremacist model minority narratives. Generations of Indian women have been encouraged to embody the archetype of the dancer, popularized through film cultures from the 1930s to the present. Through analyses of films, immigration and marriage laws, histories of caste and race, advertising campaigns, and her own family’s heirlooms, photographs, and memories, Putcha reveals how women’s citizenship is based on separating their voices from their bodies. In listening closely to and for the dancer’s voice, she offers a new way to understand the intersections of body, voice, performance, caste, race, gender, and nation.