Music from Greek and Roman society to the death of Josquin (c. 1520).

An investigation of the extension of contrapuntal techniques based on 20th-century repertory. Classes will focus on practical techniques and repertory, including student discussion and analysis of examined works.

The study of counterpoint of the Baroque, with emphasis on model composition and analysis of the keyboard works of J.S. Bach.

Electronic music composition techniques, focusing on composing stereo and quadraphonic fixed-media works, music for fixed-media and instrument, and the study of electroacoustic music circa 1948 to today.

Analysis of form focusing on music from the seventeenth, eighteenth, and nineteenth centuries.

The study of counterpoint of the Renaissance, with emphasis on model composition and analysis of the vocal music of Lassus, Josquin, Morley, and Palestrina.

Chromatic harmonic analysis and analytical methods.